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Wanna get coal for Christmas?

Get your Illuminaughty on.

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krolmeistersisters:

I want to pick one of the tomatoes I’m growing but I keep hearing Shorty’s voice saying “You picked stuff that isn’t even ripe yet!” And it’s making me nervous. Thanks a lot HER!

(via thesilentspy)

Source: krolmeistersisters
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This is one of the images Evans is using to make a ship model on the computer. :)

This is one of the images Evans is using to make a ship model on the computer. :)

Answer
  • Question: GAAH I AM SO EXCITED FOR YOU !!! This is every writer's dream and it's coming true! That game idea is awesome. I promise you, I'll be one of the first to buy and play it. *super big internet high five!!* - differencedetective
  • Answer:

    I know! I’m so excited. I already have a skeleton outline. The game is currently divided into eight parts (so far!).

    PART 1. Mystic Seaport, USA.
    PART 2. New England Shores
    PART 3. Jet Crashed! Canadian Wilderness
    PART 4. Terra Nova Base Camp
    PART 5. Icefields
    PART 6. Greenland.
    PART 7. The Great White North
    FINAL PART. TERRA INCOGNITA.

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When I moved to Boston, I never expected to come across a computer game designer. We’ll call him Evans (for privacy reasons lol). Evans has a group of about 20 gaming friends who love designing ideas. He’s shown me some of the designs they’ve created together. He mentioned that while they created designs, they wanted to make a game together but needed an idea.

I got to talking to this guy about the Nancy Drew games and how much I love them and their writing. He knew about the PC series so I showed Evans some of the game suggestions I posted on the HER boards. I had no idea that he would loved my “At the Sign of Octavius” idea.

Evans asked me if it were possible that I could expand on the idea without using Nancy Drew. I said I could come up with my own Nancy-Drew-inspired character. I mentioned that I had always envisioned this idea with Nancy Drew. Evans encouraged me to come up with a pitch that I give to him and his friends for considersation since they were looking for a big project to do together in their free time.

I gave my pitch last week and just heard back from them:

THEY WANT TO MAKE THE GAME! :D

That means I have to write out the game, plot, characters, dialogue—I did mention that I’ve never done PC game writing before. They said that was okay since I can get feedback from like 20 designers on plot points and such.

Now I have to write this but I’m so excited I had to share the news! As for my Nancy Drewesque character, I have a name: EMILY SHALLOWFORD. Still working on developing her but she’s inspired by Nancy Drew but mostly based on my sister (yes, she knows this and loves my interpretation of her as a sleuth).

As I write, I’ll share it with you guys. (SO EXCITED!!!)

Source: community.herinteractive.com
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perpetuallylocked:

Home Fires Burning

The wilderness of Alaska is beautiful, but full of dangers: bitter cold nights, wild animals, and even the people who live there. While visiting an old family friend in rural Alaska, Nancy Drew hears of a fascinating unsolved murder that happened in the 1970s. Trapper and hunter Ezra McGann married big-city girl Grace Webster after his first wife died so his 10 year old daughter Rachel would have a mother in her life. However, Grace soon realized that living in a small cabin in the wilderness was not for her, and she seemingly murdered her husband in cold blood. However, it was never proved that Ezra was killed by his wife. Soon after, Grace disappeared, leaving Rachel on her own. The case was never solved, and the story faded into a tale of the mountains. Nancy’s interested is piqued by this case, and she decides to head out to the cabin to see what she can find. Inside a wall, she discovers Grace’s journal and a pile of newspapers from around the time of Ezra’s death. The journal reveals some very interesting clues, and it’s up to Nancy to solve this cold case so that Rachel can finally have some peace about her family.

Source: perpetuallylocked
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What happened to everythingnancydrew? Don’t tell me she deleted her blog?! D:

Source: everythingnancydrew
Chat
  • EPISODE 3x13 -- "Shattered"
  • NOTE: This episode (Season 3 Finale) acts as a backdoor pilot for the next standalone tv series "Pacific Run".)
  • EXT. GLASGOW SKYLINE. EVENING.
  • CAMERA flies over the city. The evening sun lights it up in hues of oranges, reds, and yellows. There is a peaceful air hanging over it.
  • A News-Channel Helicopter zooms up from BOTTOM
  • SCREEN. It skims over the top of the city.
  • NEWSANCHOR (Voice-Over): (after a breathtaking view of the setting sun) Won't you look at? It's good to have our city back...
  • The helicopter keeps on flying.
  • NEWSANCHOR (V.O.): We are glad to report that authorities have lifted the multiple quarantines on Glasgow. We can all breath easier now.
  • MONTAGE SHOT: Police arresting REVENANT operatives---REVENANT ringleader Conrad Shaw is brought of a building on a stretcher. He is wounded and is quickly taken to a armored prison truck/ambulance.
  • NEWSANCHOR (V.O.): In the shootout, the ringleader of the REVENANT terrorist group was caught in the crossfire. Authorities have taken him to an undisclosed location as the High Court has issued the severest criminal charges against Shaw and his operatives....For now, Glasgow is safe again from REVENANT....
  • CROSSFADE TO:
  • INT. GLASGOW INT'L AIRPORT. DEPARTURES TERMINAL. EVENING.
  • WIDE SHOT: PLANE VIEWING DECK.
  • NANCY DREW stands at a railing, looking over the airport, watching planes taking off and landing. A slight wind is blowing and her hair dances in the wind. She is dressed for air travel. Next to her is her carry-on bag.
  • CLOSE-UP: An American Airlines plane pulling up to a gate.
  • CLOSE-UP: NANCY's pensive face. She accomplished what we came to do. All was well again and she was going home. Hannah and Carson are waiting for her...
  • VOICE-OVER: Hey there stranger.
  • NANCY DREW turns around.
  • REVEAL: ALEC FELL is standing a ways behind her. His face is a bit beat up but he seems to be standing taller than usual, as if multiple burdens have been lifted. ALEC FELL wears a brown leather jacket. He has his hands in his Jean pockets.
  • CLOSE-UP: Something like a smile forms on ALEC's face. A rare sight.
  • WIDE SHOT:
  • NANCY DREW and ALEC FELL stand on opposite ends of the screen, a gap of silence between them.
  • NANCY is surprised.
  • NANCY DREW: (fondly) Alec...I didn't think you would come.
  • ALEC FELL: (shrugs his shoulders) Had to make sure you got on--(awkwardly) safely, that is--on that plane.
  • The two move closer to each other. The sounds of planes landing and departing in BACKGROUND.
  • NANCY DREW: So...it's finally over.
  • ALEC FELL: Yes it is. (the two look from the deck to Glasgow in the west, the setting sun behind a shimmering historic skyline.)....you know, I forgot how beautiful old Glasgow looks--we won, Nancy...
  • NANCY DREW: REVENANT is gone then?
  • ALEC FELL: Dissolved. (proudly) I have to admit though--it was a tough go. You had us all guessing.
  • NANCY DREW smiles.
  • NANCY DREW: I couldn't have done it without you, Alec. I never got a chance to thank you.
  • ALEC FELL scratches behind his ear.
  • ALEC FELL: Just...(hesitates before accepting his role) ...just doing what I do best.
  • A moment of silence between the two.
  • NANCY DREW: That's my flight (pointing to the American Airlines plane)...
  • ALEC FELL: Yeah--you should get going.
  • Another moment of silence. NANCY DREW picks up her carry-on bag and turns to leave the passenger viewing deck. She pauses a few steps from ALEC FELL.
  • NANCY DREW extends a hand for a handshake.
  • NANCY DREW: I'm glad you were here, Alec.
  • ALEC FELL shakes NANCY's hand.
  • NANCY DREW: So what now for you?
  • ALEC FELL: Not sure yet. Might head south to find my family. Might stay here with Lizzie...who knows?
  • NANCY DREW: In that case, I wish you the best of luck.
  • ALEC FELL: And I wish you the same. (ALEC places his other hand on top of their handshake)...What you do, Nancy Drew--don't ever give it up. This dark world needs more people like you. We need more Nancy Drews to be curious about our world and to solve it...
  • NANCY smiles and she too places her other hand on ALEC's.
  • NANCY DREW: And we need more Alec Fells in this world---to show us that what we though we lost can be refound. To skiptrace hope for the rest of us...
  • ALEC FELL: Take care, Nancy.
  • NANCY hugs ALEC who is taken by surprise. He gives in and hugs her too.
  • With that, ALEC FELL watches NANCY DREW wave from the deck exit and--disappear into the terminal.
  • WIDE SHOT: ALEC FELL is alone on the deck.
  • ALEC FELL (V.O.): Sometimes...in order to find yourself in this crazy world, you have to lose yourself. You have to be broken to realize that you'll be rebuilt much stronger. Hope is a funny thing. It used to be the only thing I couldn't find...
  • ALEC FELL walks off screen.
  • CUT TO: FRONT OF DEPARTURES TERMINAL.
  • ALEC FELL stands on the curb. A car pulls up and he gets in.
  • INSIDE THE CAR.
  • ELIZABETH (LIZZIE) KEEFE is driving. She has the car on idle as ALEC gets in. He is smiling. It's good to see him smile.
  • ALEC turns to look at LIZZIE.
  • LIZZIE KEEFE: Everythiny okay?
  • ALEC FELL leans forward and kisses her.
  • ALEC FELL: Everything is fine.
  • LIZZIE puts the car in Drive.
  • LIZZIE KEEFE: Where to?
  • ZOOM IN ON ALEC'S FACE. He thinks it over.
  • ALEC FELL (V.O.): There was one last thing I had to find and it was due--
  • ALEC FELL points in an unexpected direction.
  • ALEC FELL: --south.
  • LIZZIE holds one of ALEC's hands.
  • LIZZIE KEEFE: Southern skies, here we come.
  • ZOOM OUT FROM INSIDE THE CAR. THE CAR DRIVES AWAY AND UMTO A HIGHWAY, HEADING SOUTH.
  • ALEC FELL (V.O.): I was free. I could breath for the first time.
  • CUT-IN: INSIDE THE AMERICAN AIRLINES PLANE.
  • NANCY DREW places her carry-on bag in the overhead department. She removes a small leather-bound book first. Seating down in a window seat, she puts on her seatbelt and then leans back.
  • ALEC FELL (V.O.): Love is a funny thing. It makes the people who treasure us the most act in ways we would have never imagined.
  • NANCY DREW opens the leather-bound book.
  • REVEAL: An envelope stuck between the pages.
  • ENVELOPE READS "FROM MOIRA"-- the book is headed "The Journal of Katherine Drew".
  • ALEC FELL (V.O.): We don't have to find the answer. We just have to find ourselves in it. And should you ever lose it, well then... Here's my number. I'm Alec Fell--I find what's been lost--I return what's been stolen--and I trace every skip you make.
  • I AM A SKIPTRACER.
  • CUT TO BLACK.
  • FADE BACK IN.
  • INT. UNDISCLOSED GLASGOW HOSPITAL. NIGHT.
  • CAMERA sneaks into a patient's room. A wounded mature man lies in bed awake, listening to different vital organ monitors beep and track his condition.
  • OUT IN THE HALLWAY.
  • LOW SHOT of a footsteps heading to the room.
  • NOTE: THE PERSON IS NOT REVEALED AT ANY TIME TIL SPECIFIED.
  • The wounded man in bed hears the approaching footsteps. They stop at his door...
  • The wounded man slowly turns his head to see if it's a nurse or a doctor--or one of the police guards assigned to the floor to prevent escape.
  • It's neither. The wounded man is puzzled at the stranger.
  • OVER THE SHOULDER: The stranger grabs a chair and sits by the door.
  • STRANGER: Well well well...
  • SHOW WOUNDED MAN: IT's CONRAD SHAW! He looks perturbed by the stranger's presence.
  • CONRAD SHAW: Who the hell are you and how on
  • Earth did you--?
  • STRANGER: (we hear a smile) How did I get past the guards? It wasn't easy--
  • CUT TO LEVEL EXTRANCE. Three police guards lay over the floor. They are unconscious.
  • CUT BACK TO ROOM:
  • CONRAD SHAW studies the stranger. Something about this individual seemed familiar.
  • STRANGER: --but I have my ways, Mr. Conrad Shaw. Oh yes, I know who you are but you don't know who I am--no matter--that's not necessary.
  • CONRAD SHAW: Listen--I don't know what you want. Just leave me be to die.
  • STRANGER: To...die?
  • CONRAD SHAW: You know who I am--and what I've done...
  • STRANGER: You mean you held an entire city hostage?
  • CONRAD grimaces.
  • CONRAD SHAW: But I failed...I failed REVENANT...
  • A pause between the two people.
  • STRANGER: I don't know if I would consider it a fault. Rather, I think it was a rousing success where I'm concerned.
  • CONRAD SHAW: Are you insane? A success?! It was an utter failure because---because---
  • STRANGER: Because you couldn't keep control of a certain American sleuth?
  • CONRAD SHAW: (stunned) How on Earth do you know about her?
  • STRANFER: It's my job to know--(the STRANGER gets up)--just as it is now your job to tell me what you know.
  • CONRAD SHAW: Tell you...what?
  • STRANGER: (chuckles)---You know exactly what I mean. Project Ananias.
  • CONRAD SHAW holds back a terrified scream. How could anyone know about that?
  • STRANGER: You see, Mr. Shaw, I know more than you think. Project Ananias--where to start? I know it's a project designated in finding truth from our ancestors in order to make the blind see again. Just like the Biblical Ananias.
  • CONRAD SHAW: I know nothing of this nonsense.
  • STRANGER: Really?...no matter. It will be over soon.
  • CONRAD SHAW: Its already over.
  • STRANGER: Well, not quite...
  • Suddenly a laser-point red dot travels around the room. It comes from the slightly open window. The red dot rests on Conrad Shaw.
  • STRANGER: I don't condone violence and I thought I had more time to warn you...
  • CONRAD SHAW: (panicking) No--no! I'm talking! I'll tell you what you need to know! Auckland. Auckland is in charge of Project Ananias! You have to go to New Z--
  • A sniper-shot goes off. CONRAD SHAW falls out of his bed--DEAD. As he does so, the monitors go crazy as he drags the saline tube and vital meters with him.
  • The STRANGER immediately jumps up, being surprised for the first time. He slams the window shut and closes the blinds.
  • STRANGER: (looking down
  • at the dead Conrad Shaw) Damn! I thought this would happen. So REVENANT is not completely defeated then... They're silencing anyone who knows too much...
  • A commotion sounds in the HALLWAY. The STRANGER runs out of the room. He reaches the emergency stairs and sprints down them.
  • DOCTORS and NURSES arrive to CONRAD SHAW's room. They frantically try to save the man. They're already too late.
  • The STRANGER reaches the bottom of the stairs. He pushes the alarmed doors open. Another shrill alarm sounds. The hospital is in a frenzy.
  • EXT. ALLEYWAY BENEATH HOSPITAL. NIGHT.
  • The STRANGER enters an
  • alleyway. At the other end a car is waiting. The STRANGER quickens it's pace. It reaches the car and enters the backseat. The car-door is slammed.
  • A driver is noticed in the front seat, like a chaffeaur.
  • REVEAL: SAMANTHA QUICK is in the driver's seat. She talks to the person in backseat.
  • SAMANTHA QUICK: Well?
  • STRANGER: ...it was as I feared. They got to him first before he could give me anything. No matter...I know enough already to continue.
  • SAMANTHA QUICK: The mission continues as planned, then?
  • STRANGER: Yes--yes it does. (The STRANGER opens a compartment in the backseat. He retrieves an object.) ...is everything arranged?
  • SAMANTHA QUICK passes boarding passes to her boss.
  • REVEAL: AIR NEW ZEALAND tickets to Auckland and then Christchurch.
  • STRANGER: Good--everything is set.
  • SAMANTHA QUICK: Sir--it may not be my place--but what is to be done concerning the Drew girl?
  • STRANGER: Let her be.
  • SAMANTHA QUICK: But sir--!
  • STRANGER: I SAID LET HER BE! I'll handle Nancy Drew. And besides--
  • SAMANTHA QUICK starts the car. She adjusts her rear-view mirror. She can see who us sitting back there clearly.
  • REVEAL: SONNY JOON is looking back at her. He has a golden Maori medallion in his hand. He studies it fondly.
  • SONNY JOON: (fatedly) --I think it's high time the two of us finally met.
  • SMASH CUT TO BLACK.
  • END OF SEASON THREE OF "SKIPTRACER".
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Today is my birthday! I still cannot believe that I am now 23—-I don’t friggin’ feel like 23!

Anyways—here’s to all of you older Clue Crew members. May we never tire of these games as we grow older.

(And hopefully more tactful than that strawberry blonde we all make fun of!) xD

Chat
  • EPISODE 2x13: GIANTS' CAUSEWAY
  • EXT. DOWNTOWN GLASGOW, SCOTLAND. DAY.
  • The downtown is disastrously busy. People are moving rapidly as emergency services begin to evacuate the area.
  • FOCUS on ALEC FELL in the sea of humanity. He is shouting, helping people to move away from city center.
  • ALEC FELL: Everyone keep moving!
  • The crowd grows more panicked. ALEC looks around.
  • TRACKING SHOT. Sirens are blaring. People are shoving, pushing, getting away from the impending danger....
  • FOLLOW ALEC'S GAZE. He is looking for someone...
  • ALEC FELL: Damn it, Nancy! Where the hell are you?
  • ZOOM OUT ABOVE CROWD. Glasgow is on lockdown. Alec Fell looks alone in the confusion.
  • CUT TO:
  • INT. RIVER HEIGHTS, USA. DREW RESIDENCE. DAY.
  • CARSON DREW is throwing clothes as fast as he can in a suitcase. He is in a frenzied hurry. He checks his phone.
  • NOTHING.
  • DOWNSTAIRS, HANNAH GRUEN sits on a couch. The TV is on and on a news station.
  • SHOW IMAGES OF GLASGOW. NEWS ALERT AFTER NEWS ALERT.
  • "Terrorist Group Holds Glasgow Hostage--Bomb Threats...."
  • CARSON DREW bounds down the stairs with suitcase. He begins to gather up papers on coffee table.
  • CARSON DREW: I have to get over there!
  • HANNAH GRUEN: (imploringly) Carson--it's not safe. They--- (she pauses and looks at the bomb threats on the TV)....They will be after you too.
  • CARSON pauses and reflects. He is looking at a piece of paper.
  • REVEAL: It is in KATE DREW's handwriting.
  • CARSON DREW: I don't have a choice, Hannah....I can't lose her (he sheds a tear)...these people took Kate from us--they took a mother from Nancy...I can't lose her too...
  • He looks at the time.
  • CARSON DREW: I have to try. I'll beg Moira on my hands and knees if that's what it takes.
  • HANNAH: (frightened)....is...is that it? (she points to the paper in Carson's hand)
  • Silence.
  • CARSON: My God...(he looks somberly at the figures scrawled)...they killed her for this...
  • CUT TO:
  • EXT. GLASGOW, SCOTLAND.
  • ALEC FELL is running against the current of people escaping the downtown. He has a phone to his ear.
  • ALEC FELL: Pick up, Nancy! Come on--pick up!
  • FURTHER DOWN THE ROAD.
  • NANCY DREW is running to avoid getting run over by the fleeing panic-stricken crowds. Her cellphone rings. It's ALEC.
  • NANCY DREW: Please tell me you're okay!
  • OVER THE PHONE.
  • ALEC FELL: (relieved) I'm alright. Where the hell are you? We need to get out of here!
  • NANCY DREW: (looking over the crowd) I cant find you--I'm over by Hunterway and Leeds.
  • ALEC FELL looks up at a street sign. LEEDS AVENUE.
  • ALEC FELL: I know where you are--Nancy, just stay there--
  • CUT TO:
  • HUNTERWAY ROAD.
  • NANCY DREW is not paying attention to ALEC on the PHONE. She is staring at a black van speeding down the road. People jump out of the way as the black van spins towards NANCY. It comes to screeching halt right in front of her.
  • NANCY begins to take several steps back.
  • NANCY DREW: (on the phone) Al--Alec-- do you see this van?
  • ALEC FELL freezes midstreet, looking down it. He can see the black van.
  • ALEC FELL: What the--?! (sensing danger) NANCY, RUN! GET AWAY!
  • Suddenly, shots ring out and the entire square falls into pandemonium. NANCY DREW drops her cellphone and makes a break for it. The side door of the black van slams open and several burly hands grab her. They cover mouth and drag NANCY into the van. She fights with she has.
  • ALEC is in full sprint towards the van.
  • ALEC: NANCY!
  • He pulls out his handgun and points it towards the back of the van. More shots ring out and ALEC instinctively falls to the ground. The shots are causing chaos!
  • NANCY is able to free her mouth from a hand.
  • NANCY DREW: HELP ME! ALEC, THEY HAVE ME! HELP--
  • The van side door is slammed shut and the wheels spin as the driver presses down on the gas pedal with full force. The black van goes racing past the crowds and out of sight.
  • ALEC FELL is running as fast as he can down the street. Gun in hand, he tries to aim and shoot the van's tires. He misses and hits the side-mirror.
  • ALEC: NO NO NO! NANCY!
  • He tries to shot again after the van. It dodges it, turns a sharp corner, wheels squeling and screeching, and disappears.
  • HIGH SHOT of ALEC FELL. He's in the middle of the road, defeated. He falls to his knees.
  • ALEC FELL: (whispers)
  • Revenant....
  • CUT TO:
  • INTERIOR OF BLACK VAN. It is speeding on side roads. NANCY DREW has her hands tied behind her back, her feet are tied together, and her mouth is covered. She is laying in one corner, eying a man in the shadows in another corner.
  • The MAN IN THE SHADOWS chuckles.
  • UNKNOWN MAN: Such a pretty lass, ain't she?
  • The MAN IN THE SHADOWS nods in agreement. He is using a cellphone. He makes a call.
  • MAN IN THE SHADOWS: Package acquired. Proceed with Caledonia.
  • He hangs up.
  • MAN IN THE SHADOWS: Well now, Ms. Drew... (NANCY fidgets in her corner) I must say that you have turned out to be everything we had hoped for. Always meddling in business that's private...tsk tsk... You remind me of someone? Now what was her name? Ah, yes! Katherine! Of course everyone called her Kate...
  • NANCY is paying close attention now.
  • MAN IN SHADOWS: Such a delightful creature, your mother was. It really did pain me to hurt her when she wouldn't comply with orders.
  • NANCY is confused.
  • MAN IN SHADOWS: (chuckles) You still don't get it, do you?
  • CUT TO:
  • CATHEDRAL HEADQUARTERS. MAIN FLOOR.
  • Cathedral operatives are running about trying to put information on the attacks together. It's unorganized and tension is high. The main floor is host to dozens of computer screens, monitors, and tv sets showing computer data, news streams, and etc.
  • One screen goes out. Suddenly it turns back on, displaying a REVENANT logo. One by one, the screens shut off as PROJECT CALEDONIA is wrecking havoc. Each screen comes back on with the REVENANT logo. Suddenly, several operatives in the room draw guns on their superiors.
  • COLONEL MACLEOD: What is the meaning of this?
  • REVENANT OPERATIVES: We are REVENANT! WE ARE A FORTRESS! We are Sanctuary--
  • CUT BACK TO:
  • INTERIOR OF BLACK VAN.
  • MAN IN SHADOWS: Don't you get it Ms. Drew? There never was a real Cathedral. For you see--
  • CUT BACK TO:
  • CATHEDRAL HEADQUARTERS.
  • PROJECT CALEDONIA is underway. REVENANT has taken over the CATHEDRAL system. It cuts GLASGOW off from the rest of the world.
  • ZOOM IN ON THE MAIN SCREEN. The REVENANT symbol is on display.
  • MAN IN SHADOWS: (VOICE-OVER) --Cathedral IS Revenant! And now that we have control of the city, all we need is Archimedes.
  • CUT BACK TO:
  • INTERIOR OF BLACK VAN. It is still traveling at a break-neck speed.
  • MAN IN SHADOWS leans over NANCY.
  • NANCY DREW recognizes him.
  • REVEAL: The MAN IN SHADOWS isn't Ewan McLeod! ITS ARCHIMEDES!
  • ARCHIMEDES: Well--now you know who I am. Funny, isn't it? Your mother risked her life to keep REVENANT from finding me. Such a loss... (Archimedes holds up Nancy's head by the chin) But you see, no more matter how many promises your precious Kate made to me, swearing that she'll let nothing happen to me, I couldn't help but finding all so...whats a good word to use...? Ironic! Yes, it was all so ironic. I still remember the day she came to warn me that she had found the formula. You see, Nancy Drew, I couldn't let your mother waltz out of Scotland with it in her hand. So I acted fast. (Archimedes leans in and speaks into Nancy's ear)...I can't describe to you how easy it was to cut the brake lines on her car...
  • NANCY cowers back, horrified and traumatized.
  • ARCHIMEDES: Pretty soon, Nancy, you'll be more like your mother. (with sickening emphasis) Boty of you will be dead.
  • CUT TO:
  • RIVER HEIGHTS. DREW RESIDENCE. EVENING.
  • CARSON DREW is almost ready to leave. He pauses near the white piano. A picture of Kate Drew is placed on top. He picks up the small frame and gazes at Kate's beauty.
  • CARSON: I will fix this, Kate. I need to tell Nancy the truth before its too late. I have everything so now I just need to--
  • HIS CELLPHONE RINGS. CARSON looks at the number. It's NANCY!
  • CARSON: (rejoicing as he answers the call) NANCY! Oh Thank God! You had me so worried---
  • UNKNOWN VOICE: Wrong person.
  • CARSON tenses up. He looks at the phone before continuing.
  • CARSON: (on the defensive) Who is this?
  • UNKNOWN VOICE: Oh (chuckles) I think we both know the answer to that one.
  • CARSON: Who the hell are you? Why do you have Nancy's phone--?!
  • UNKNOWN VOICE: I'm afraid your daughter is tied up at the moment. If you like, I can pass on a message. Don't know how much good that will do considering she's more dead than alive...
  • CARSON's face turns white. He holds on to the picture of Kate even tighter. His knuckles turn white.
  • CARSON: Where is she? Where is my daughter?
  • UNKNOWN VOICE: If you're asking me if I killed her, then no. But that could change relatively soon...
  • CARSON: You bastard!
  • UNKNOWN VOICE: Indeed...let's cut to the chase, Mr. Drew. We know about your long gone wife. We know her secrets. And we know she managed to smuggle our secrets into your little Podunk River Heights....The request is simple: bring what we need, Mr. Drew. Or (we hear shuffling over the lime--a young lady is heard struggling) I will gladly choke the life out of her like I DID WITH YOUR KATE!
  • NANCY: DAD! DONT DO IT! DONT GIVE IT UP! MOM DIED FOR IT! DADDY, PLEASE-- (Muffled cries)
  • CARSON DREW is in a mesmerized state. He can't move. He can't breath.
  • CARSON: No...no! NO!! I beg of you--don't hurt her! I'll bring it. I have it! (he begins to weep)
  • UNKNOWN VOICE: Good...I have to say though...she looks so much like her mother...
  • THE CALL ENDS. A smashing sound resounds throughout the room. CARSON dropped the picture frame. He is weeping as he collapses into a chair.
  • ZOOM OUT FROM PHOTOGRAPH OF KATE DREW, beneath a pile of shattered glass.
  • CARSON: (VOICE-OVER) (sorrowful) They have her--
  • CUT TO BLACK.
  • CARSON: (VOICE-OVER) They have our little girl!
  • END OF SEASON 2 OF "SKIPTRACER".